Month: October 2009

Lessons Learning

Posted by – October 27, 2009

Captured by my wife, Peg

Captured by my wife, Peg

There is a close-up image of this sphinx at Allegheny Cemetery in the previous post. The image above, in case you don’t know, is me in the process of capturing that image. On that day in the cemetery, I was consciously trying to be aware of things I normally don’t think about. One of them was Joe McNally’s advice of always trying to put the camera in a place people don’t normally see the subject from to give the image some dynamic attributes. So, there I am, on my butt, looking up at the sphinx. I’ve been reading Joe’s book lately, and I’ve learned a lot from it.

I also tried zooming my lens while I had the shutter open, like this:

Zoom 1

This technique was hard for me because ideally, you want to not move the camera too much horizontally or vertically while you zoom, which I found very difficult. I had a lot of crappy images (which I was warned I would), but this was the best of the worst. I figured this kind of effect might work in a graveyard. Spooky and all that.

I also came to an epiphany about why one would want to use ‘EV” type adjustments. I had been exchanging these thoughts with Mark as he and I discuss Joe’s use of Exposure Compensation. I had said I didn’t understand why you would want to dial in ‘EV’ compensation, why not just adjust the exposure manually.

I came across a number of situations during this shoot as well as the day Peg and I spent in the park with the lake they’re draining where I realized why you would want to do EV compensation. The image of the Falcon is a good example, where I wanted to raise the exposure of the bird’s feathers against the sky and the time it would take to switch to manual mode and then adjust the exposure was time I did not have with the falcon perched on top of the pump house (he could fly away any minute). EV (if I knew how to do it, that is) would have been much easier.

Lastly, I visited Pittsburgh Filmmakers last night and I’m going to take some classes there in the winter. I got a tour from friend of mine, saw their darkrooms and their print labs and am very excited to work there. The students’work they had hanging in the hallways was very impressive, and it will be good for me to get feedback. They still do a lot of film work there, and I’m excited about joining their community.

Allegheny Cemetery

Posted by – October 25, 2009

Angel

This afternoon was cold and wet, and Peg and I determined it was an ideal day to go visit Allegheny Cemetery. As the web site for the cemetery describes, these lands are truly beautiful, and it is a tribute to a different age. The light was soft and gorgeous, and I took three cameras with me. My 10D captured the majority of the images while I also used my FTb loaded with HP5. Of special interest was the new (to mew) F100 I’ve posted about before. This was the first real day of use for the F100, and for those Nikon loyalists, I will give a particular report about that camera below.

Peg and I love to visit cemeteries, and we had visited Lakeview Cemetery in Cleveland in September. However, in comparing the two places, while Lakeview is beautiful (and does have James Garfield’s memorial) Allegheny is more monumental in many aspects, especially in its use of Egyptian-inspired craftsmanship.

The Ages Pass

I guess at one time in the history of building personal monuments, the news from the excavations in Egypt had a huge impact on the kind of memorials the wealthy members of society built for themselves. Both Allegheny and Lakeview had many such memorials, but in Allegheny they are both larger and more numerous (maybe there was more money in Pittsburgh).

Typical grouping

Typical grouping

The workmanship on these memorials is quite stunning.

Winter's Resting Place

The place is quiet and beautiful, and it is really a peaceful locale to visit.

Bearing Witness

On a separate note, working quickly gave me an opportunity to really compare the three cameras in a very limited time (we arrived around 3:30 and were kicked out –gently, mind you, but firmly– at 5:30; the grounds close at 5:00 pm but we didn’t know that).

I used the F100 with an older Nikkor 50mm 1.8 lens (manual focus). The focus ring and the aperture ring on this lens turns the opposite from my Canon lenses, and it initially threw me off. But the viewfinder was wonderful, and the controls very easy to figure out. I didn’t have the manual with me, but after a few frames I could easily figure out how to do everything I wanted to do. It felt very nice in my hand and was wonderful to use. I loaded the camera with Ektar and used an 81a filter to warm things up a bit (Ektar can be a little cold in my experience and the day was cloudy). I REALLY liked this camera, and found it much better than the modern equivalent Canon film cameras, and look forward to using it more often. I do want to purchase an AF lens, because while the F100 DID give me focus confirmation, the focussing screen currently in the camera didn’t help me at all. While the camera supports older manual focus lenses (bravo), clearly it assumes you’re gonna use an AF lens. Nikon users: can the F100 take different focussing screens?

The Ftb, as in the past, was easy and intuitive to use, and today I mounted my 28mm f/2 FD lens, which I love. I certainly have flip-flopped on this topic, but after today I think that 28mm might be my favorite fixed focal length when capturing landscapes. The image of the angel at the top of the post was captured with my 10D and the 17-40 Canon zoom, which I like very much, but at 17mm with a 1.6 crop factor (equalling roughly a 28) the image just didn’t look as great as it did through my FTb. I know crop factor equivalent 28 doesn’t really equal a real 28, and this time, in direct comparison, it was very clear to me what the difference was. I had been reading recently on a forum a thread about how 28mm lenses don’t get much love (Canon, for instance, doesn’t have a ‘L’ series 28 prime; they have a great 35mm ‘L’ prime and a 24mm ‘L’ prime, but no 28).

But today’s clear winner was the F100. I am hoping to acquire a 28mm Nikkor AF prime, and once I do, I may actually start doing the majority of my 35mm film work with the F100. So, Nikon users, a second question: any thoughts about prime Nikkor lenses I should acquire? Does Nikon have a good 28mm prime? Their zoom lenses I know are wonderful, but for me right now, pricey.

Today’s clear loser was the 10D. I know the design is old for a digital, and my thoughts about it have nothing to do with the megapixel count, but it was the hardest camera to use of the three. I hope soon to acquire a used 5D, which I am sure I will use a great deal for landscapes (( have wanted a full-frame digital for 4 years). When that arrives, Peg and I are thinking of converting the 10D to infrared use.

Overall, a great day capturing images with my wife. Lots of fun.

Hope you enjoy the images.

More Construction

Posted by – October 22, 2009

Jerome, Arizona, 2008

Jerome, Arizona, 2008


Another in my series on these machines.

Random Excellence

Posted by – October 21, 2009

Hunting late in the day

Hunting late in the day

One of the blogs I read every day is The Online Photographer. It is sort of a famous photo blog, and I assume that everyone who comes here probably goes there. Anyhow, for a while now I’ve been a fan of Cheryl Nicolai’s work, recently Mike highlighted her in a post he does once in a while called ‘Random Excellence.’ He linked to a blog entry she had made on her blog, and I just wanted anyone who comes here and hasn’t been there to go visit this entry for yourself.

Check Cheryl’s blog entry giving advice to photographers here. Or you can go visit Mike’s site and read it there.

A word about the image: Peg and I wandered over to the lake near our house the other day because they are draining the lake in preparation for dredging it. Peg got come great shots of the exposed lake bottom before she spotted this Falcon perched on the top of what I assume is the pump house. I borrowed the 40D from her to grab a couple images of the beautiful bird before I handed it back to her.

Construction

Posted by – October 19, 2009

Not going to do much work any more

No work 'till spring

This image was from the same lot of cars and amusement park equipment where I captured the abandoned ride equipment. I got to play with my favorite Nik Silver Effects on this image. Man, I love that software. I also think I like old construction equipment. Don’t know why, maybe it’s a flashback to playing with trucks as a kid (although I don’t remember doing that much of it). I think I may actually read the Nik documentation (grin).

I started reading a book on Photoshop (I think I’m gonna break down and learn more about that puppy). Fascinating what people do with that tool. There are so many software tools I want to work more with. We’ll have to see how much shooting I’ll do here in the winter. I’d like to try to work in the snow a little.

Unfocused

Posted by – October 17, 2009

Leica M3 again

Leica M3 again

Maybe it’s the weather here in Pittsburgh (downright cold and rainy, very winter-like; February almost) or maybe it’s just my state of mind, but I feel very unfocused, photography-wise. This image sorta reflects that mood. I was fascinated with this guy who came to the park in Seattle where Ray and I went picture-taking, and I tried to capture him as he relaxed near the fountain and had a smoke. But, as a famous photographer once said “if your pictures are no good, get closer.” I think here I really wanted to get closer, but this was the best image I have of the gent.

Here in the ‘Burgh we kinda went from late summer right smack dab into winter, with hardly any fall at all. Peg and I were in Home Depot today, and people were dressed like it was January and they were buying up overing for their outdoor furniture and such.

Maybe it’s just the rapid nature of the changeover that has me flummoxed, maybe it’s that I haven’t experienced this kind of weather on a regular basis for three years. I dunno. The weather next week is supposed to be warmer, so maybe we’ll experience some real fall then.

Fun In storage

Posted by – October 14, 2009

Fun in Storage

Fun in Storage

My Mamiya 645e, as some of you know, was irreparably damaged in a fall last April. In August, I bought a replacement 645e from Adorama in August, but it was inoperable upon delivery and I returned it.

As some of you also know, much of my gear is currently in storage in Arizona. This includes three of my 645e lenses. When I purchased the 645e from Adorama, I also bought a wide angle lens so I would have something on the body to work with while I wait for my things to come from AZ.

The repair was taking an awfully long time, so I contacted them via email last week and today I received this reply:

“We have received your return and the Used Department has deemed the unit unirepairable (sic). We don’t have another camera body available at this time with no real prospect of one comeing (sic) in. We do however have another better quality lens.

I see we’ve refunded the monies already, so if you are still interested you may contact our Sales Department at xxx-xxx-xxxx to see what else we may offer you. Or you may contact us regularly to see if we’ve received more.

We apologize for any inconvenience.”

So, now I am trying to figure out what to do. Do I

a) sell the three lenses I have and save up for a different medium format camera (I love the 645 neg, but I’d also like a 6×6 or a 6×7). I was always planning to save up for a Mamiya 7II, so maybe this is the time?
b) shop for another 645e
c) ???

Readers, what would you do?

Sometimes fun is in storage waiting for the right time to come out into the light.

Self Portrait

Posted by – October 13, 2009

Another image captured with my wife's macro lens

Another image captured with my wife's macro lens

Went to NJ for the weekend. I had intended to go into NYC to see the Robert Frank show at the Met but didn’t feel well on Saturday so I stayed in NJ and bummed around with my wife and her friend. Found a great vantage point where you could look out from the Atlantic Highlands part of NJ and see across the Bay to Manhattan. While we were capturing that image we were swapping the 70-200 zoom and for a few moments I had the macro lens.

The image below is one of those captured of the view; I didn’t have a polarizing filter on me in the size I needed to cut through some of the atmospherics and darken the sky, but this is what it looked like. I’ve included both a color and b&w conversion.

NYC Skyline

Emulating a deep orange filter

Emulating a deep orange filter

From My Mesa Balcony

Posted by – October 8, 2009

Looking west from my apartment in Mesa

Looking west from my apartment in Mesa

When I had the apartment in Mesa, the balcony off the kitchen looked west towards the sunset. Next door was a grammar school (the buildings in front) and beyond that towards the horizon was downtown Phoenix. This was a stormy night, and because of the clouds, a mixture of dark and light. I don’t remember now, but I bet I saw the clouds on my way home, ran into the apartment, grabbed the camera, and took a couple images before it all faded.

Going through the archives

Posted by – October 6, 2009

Some times I DO put the camera in a new place

Some times I DO put the camera in a new place

Rearranged the office today and took the opportunity to go through my library to find an image that I liked and I don’t think I’ve posted. This was captured at a shopping mall in Scottsdale about a year ago (November ’08) and I always thought those plants looked threatening and just wanted to play with that idea a little.